Casual Conversation
Entrainment: A Study of Vibration and Frequency
Launching a new platform takes commitment and organization. I wear several hats and have lived long enough to connect a lot of dots. Today, I want to explain the concept of entrainment. However, as a teaser, I would suggest watching this very short video, less than a minute.
https://www.bitchute.com/video/2cht4rOPXaSK/
As most of us know, a very high pitch can break a glass or a chandelier or perhaps affect the eardrum or the functioning of a vital organ in the body. Several disciplines relate to this subject: cymatics, sound therapy, frequency work such as discussed in seven recent posts, and music therapy. There are a couple of very important takeaways related to this subject.
Every cell of the body is sensitive to particular frequencies.
Every structure can be transformed by frequencies.
The strongest energy field entrains the rest.
It is this latter point that is the hope for eternity. Assuming that the strongest frequency in the Universe is that generated by the Creator, all will eventually be entrained by this force. In my mind, this is the true guarantee of ultimate salvation for everyone. It is therefore the basis of my optimism, but also the foundation of the understanding of what we often refer to as good and evil. When we are in harmony with Creation, we are in alignment with Cosmos. When we challenge the Order of the Universe, the consequence is Chaos.
Though I wrote extensively on frequencies, I do not use technological devices in my practice. Rather, I use music. There are several explanations for why this is the case.
First, my mother was a concert pianist, and I grew up listening to wonderful music, often with her singing as she played. I was an adult before I realized that some of the operettas I knew so well actually had German librettos. For some odd reason, I never asked my mother why she sang in Swedish since she knew both languages almost equally well.
Perhaps more important is that I stumbled on some paintings of the aura of people listening to different music. I quickly associated inspiration with effects on the aura. Now, you can connect one more dot because the reason for decalcifying the pineal gland is to revive the pathways used by divine forces that can both guide and enlighten us.
The next step involved the Well Springs Technique developed by the late Kay Ortmans. This is a long story, well an entire book-length story, but the enormously condensed version is that she evolved a method for retrieving memories by using a combination of touch or massage and classical music. This can work through resonance or dissonance. A little explanation might be helpful. Resonance works through affinity. You might say that the memories are seduced by the love for the music. Dissonance can be used to break through barriers in order to retrieve the memories associated with trauma so painful that the psyche tried to seal them away. I have Pisces rising and much prefer to lure the memories to the surface than to threaten them with TNT. Kay Ortmans’s nickname was the “Brigadier General”; she was very partial to very heavy Russian music. I teased her about this, and she offered to use some Haydn or Mozart. Her choices involved very loud horns to prepare hounds for the hunt!
So now you know my secrets and the history behind them. The reason for posting some enchanting selection every few days is to share both my love for exquisite music and performances and to make this genre of music more accessible to those who did not grow up turning sheet music for a musically gifted parent.
For example, a few nights ago, I was doing some mindless tasks and a new year’s concert turned up in the YouTube queue. It was new to me and very charming, but I did not want to link it because it is part of a very long evening in Vienna. I searched for an excerpt of just that particular polka-mazurka. The first option was definitely not a thumbs up. Then, I saw one with Carlos Kleiber conducting and I thought, “Wow, this will be elegant.” It was almost too “light” so I tried a few more and decided to embed that version because it is refined. The title refers to urban and country environments.
Stadt und Land, Op. 322, Polka-Mazurka
There are many factors to consider here. There is a frequency as well as an impact on anything that resonates with that frequency, but volume also makes a difference. It can be comfortable, then annoying, and then perhaps not so bad, and then intolerable, meaning that it is not always how loud something is but whether it is pleasing or not at certain levels.
For the record, with the exception of Debussy, I have not found that music is “suggestive”; but this requires a little explanation. First of all, I am not talking about what we hear when at a concert or perhaps background music with dinner. The client is in an altered state of consciousness and is therefore listening on another level. My belief is that music and memories both have patterns and these will interface with each other and elicit interactions; but it is actually more complicated than this.
You know I am a medical astrologer. What I see are patterns involving relationships between planets, signs, houses, and aspects. This latter might require a word of explanation. My father was in aerospace, but he became very interested in astrology later in life. He said that “aspects” are called gravitational vectoring in astrophysics, and he went on to create a very simple demonstration by using a TV antenna to show when the signal is clear, when the screen starts to get snowy, and when there is no signal at all, this at 90 degrees, which happens to be the most stressful aspect used by astrologers.
What I discovered is that certain issues come to the fore when triggered by current movements of the planets. Based on this information, I could usually predict what types of memories would surface. Generally speaking, I would ask the client about favorite composers or pieces of music and start with something familiar and comfortable. However, a romantic or pastoral piece of music did not necessarily elicit memories consistent with pleasure of such pieces when in a conscious state.
Music therapy has many practitioners, all with different musical backgrounds. I worked for many years with a harpist and will share some stories as time permits. For now, I will post this and mention that I will be resuming some of the history raised in the posts on variolation and the lead up to vaccination. I will also start a series on regeneration for subscribers only.
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