Entrainment
The Path to the Creator
There was quite a bit of private correspondence after the last two posts so a sequel seems in order. To make it coherent, the concept of entrainment needs to take center stage. We are told that the Universe(s) came into being because the Creator meditated and then produced sound. Everything that “is” exists because of sound, and sound shapes the etheric substance that is the matrix for the visible world. In my view, and it is strictly my own understanding, there is a partner in Creation who calibrates the precipitation of sound so we have a radiatory force, yang, and a magnetic force, yin, that together organize sound and rhythm.
Once we grasp the role of sound, caution and wisdom dictate that we exercise discernment over our exposures to sound. One of my pet peeves is nerdy podcasters who claim to be functioning in sixth dimension whose soundtrack is ear shattering and dissonant. In short, there is a serious credibility issue regarding the claims because the law of entrainment brings one into alignment with the strongest force field. Thus, loud, jarring noise, even if it masquerades as music, is not conducive to alignment with higher sources of inspiration.
We need to take the time to connect some dots. The Creator’s Sound is the Divine Score for all existence; and it will entrain everything sooner or later. It is therefore the foundation for genuine consciousness as well as the understanding that issues from glimpses into higher realms. Ultimately, it is the guarantee that all will reunite with the Source of all, i.e., no one will fail to align. One can use whatever terminology fits one’s belief system, but if salvation is ever in doubt, the understanding of entrainment allows us to put that concern aside. However, this occurs at a slower or faster pace depending in part on where we choose to be influenced by sound.
We humans have a physical design that only allows us to hear in a limited range, more or less ten octaves, from 20 to 20,000 Hz. When we cannot actually hear something, it is often possible to feel the vibration. As the science of cymatics has shown us, all vibrations tend to create a particular organization or pattern so this is another argument for discernment.
The experiments conducted in this video are interesting, but knowing what he does, why add an annoying soundtrack?
Cymatic therapy, sound therapy, and music therapy are overlapping disciplines, but my expertise is in the areas of music therapy. Besides the importance of the choice of music, there are additional factors to consider such as the quality of the performance, volume, and appeal . . . which is a complex topic in its own right since people are exposed to a variety of types of music, but the mainstream thrust has, in my opinion, taken upon itself to undermine our connection to Source by subjecting us to endless low vibration propaganda and noise.
Though I, of course, have my views, an argument can be made for predictability. On the physical level, we depend on predictability. Certain people crave adventure, excitement, and even risk, but this obviously works in opposition to the preferences of the body itself. At the end of work or study, some people may want to cut loose and others to rest or relax. These are personality traits but the body still wants safety.
In my many years of study of various aspects of sound and music, I have not seen any scientific experiments with syncopation, but Dr. John Diamond concluded it is harmful. I know many people who feel that jazz helps them to unwind as well as professional musicians who love the freedom and challenges of performing with other musicians. So, I will put this out there and you can consider what feels best for you.
I might also propose that endless repetition is monotonous and ultimately not constructive. You have to judge for yourself when the repetition is fatiguing rather than ennobling.
Meanwhile, I would like to return to the beginning, our hearing. The highest note that we can allegedly hear happens to be my favorite, Eb, which is right up there at the top of the alleged audible range: 19912.13 Hz.
There are many octaves of vibration, obviously going all the way to Source, but we have organs of perception so we hear in certain frequency ranges and see in one range, the 49th octave. This does not mean that what we perceive as color lacks sound, merely that our organs of perception are limited to certain frequencies.
Here is a rare performance that most of you will recognize.
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